In part 1 of my review of Dr. Alvin Plantinga’s book, Where the Conflict Really Lies: Science, Religion, and Naturalism, I spent all my time discussing how he deals with the superficial conflict between theism and science. That’s because Plantinga spends most of his book discussing the issue. When it is time to move on to the deep concord that exists between science and theism, you have reached page 191 of 350. I suppose he spends so much time on the issue because there is so much discussion of it in today’s society.
When Plantinga moves on to discussing what he sees as the deep concord between science and theism, he brings up many familiar arguments. He starts with the “fine tuning” argument, which says that science has found many, many aspects of the universe that would forbid life if they were much different from how we actually observe them:
For example, if the force of gravity were even slightly stronger, all stars would be blue giants; if even slightly weaker, all would be red dwarfs; in neither case could life have developed. The same goes for the weak and strong nuclear forces; if either had been even slightly different, life, at any rate life even remotely similar to the sort we have, could probably not have developed (p. 195)
Thus, it really does look like the universe was “rigged” to produce life, as the theist believes.
Plantinga also discusses the argument that turned me from atheist to creationist – the argument from design. When we observe nature, we see instances of the most exquisite design, which generally implies the existence of a designer. He says that the design argument isn’t an irrefutable argument for theism. After all, there are ways around it. However, they “add to the pile” of evidence for theism. Here is how he puts it:
…design discourses do support theism, although it isn’t easy to see how much support they offer. I realize that this is a wet noodle conclusion: can’t I say something more definite and exciting? Well, I’d love to; but my job here is to tell the sober truth, whether or not it is exciting. That obligation can sometimes interfere with telling a good story, but what can I say? (p. 264)